Érudit's RSS Feedhttp://www.erudit.org/en/Volume 8, Number 2, December 2025enThu, 03 Sep 2026 03:03:28 +0000https://assets.erudit.tech/static/img/logo-erudit.daebca8dc4fc.pngÉrudithttps://erudit.orgIntroduction: Vegan and Animal Liberation Horror Worldshttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127525ar/Mike Thornhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127525ar/Seeding Vegetal Sovereignty: Plant-Based Witches and the Horrors of Gardening in The Manorhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127526ar/Zoë Anne Lakshttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127526ar/Abatthorror: Tracking the Animal-Industrial Complex in Agustina Bazterrica’s Tender is the Fleshhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127527ar/Poulomi Choudhuryhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127527ar/The Creation of the zagimekwe (Mosquito-Lady): David Cronenberg’s Rabid as an Inadvertent Anishinaabe Creation Storyhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127528ar/Jenni Makahnoukhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127528ar/“The factory is a fertile body”: Impersonal Flesh, Miscarriage, and the Failure of Queer-Inhuman Affect in Elle Nash’s Deliver Mehttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127529ar/William Taylorhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127529ar/“Hear My Tale”: Bearing Witness to the Nonhuman, from Frankenstein’s Creature to the Animal Industrial Complexhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127530ar/Britt MacKenzie-Dalehttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127530ar/“Oh, you’d probably like it if you didn’t know what was in it”: Carnism, Cannibalism, and Repression in Tobe Hooper’s The Texas Chain Saw Massacre (1974)http://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127531ar/Dru Jeffrieshttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127531ar/The Playgroundhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127532ar/Kathe Kojahttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127532ar/COGNOhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127533ar/Mike Thornhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127533ar/Citizens of Ulro: A Review of Olga Tokarczuk’s Drive Your Plow Over the Bones of the Deadhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127534ar/Miriam Richerhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127534ar/“They All Run Like Scared Little Rabbits”: The Vegan Ethos of Rob Zombie’s House of 1000 Corpseshttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127535ar/Mike Thornhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127535ar/Stuart Gordon’s King of the Ants (2003)http://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127536ar/Fred Barretthttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127536ar/Interpreting Ginger Snaps as a Trans Storyhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127537ar/Emerson Rheaulthttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127537ar/“All Mixed Up”: It’s Alive, It Lives Again, and Kristeva’s Maternal Herethicshttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127538ar/Luka Romneyhttp://www.erudit.org/en/journals/monstrum/2025-v8-n2-monstrum011024/1127538ar/