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<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Érudit's RSS Feed</title><link>http://www.erudit.org/en/</link><description>Number 117, Spring–Summer 2026</description><atom:link href="http://www.erudit.org/en/journals/esse/rss.xml" rel="self"/><language>en</language><lastBuildDate>Thu, 03 Sep 2026 03:12:25 +0000</lastBuildDate><image><url>https://assets.erudit.tech/static/img/logo-erudit.daebca8dc4fc.png</url><title>Érudit</title><link>https://erudit.org</link></image><item><title>Entrevoir l’avenir avec une joie crip / Glimpsing the Future Through Crip Joy</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110951ac/</link><description>Sylvette Babin</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110951ac/</guid></item><item><title>jes sachse, agit-propagandiste / jes sachse, the agitative-propagandist</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110952ac/</link><description>Christina Oyawale</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110952ac/</guid></item><item><title>Access Granted: Some Thoughts for the Future / Accès accordé : quelques réflexions pour l’avenir</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110953ac/</link><description>Jessie Myfanwy Stainton</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110953ac/</guid></item><item><title>Decelerating Museological Experience Through Touch / Ralentir la cadence de l’expérience muséale grâce au toucher</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110954ac/</link><description>Matthew Ryan Smith</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110954ac/</guid></item><item><title>Exposed Flesh: Crip Tech Iconographies of Posthuman Eroticism / Chair exposée : les iconographies crip tech de l’érotisme posthumain</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110955ac/</link><description>Chiara Rauli</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110955ac/</guid></item><item><title>Chroniques d’un crip / Crippled Chronicles</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110956ac/</link><description>David Elliott</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110956ac/</guid></item><item><title>Déplacer la voix : une approche crip de la vocalité / Shifting the Voice: A Crip Approach to Vocality</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110957ac/</link><description>Maël Forlini</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110957ac/</guid></item><item><title>Hac Vinent’s Disca and Cuir Mesches / Disca et cuir : les maillages de Hac Vinent</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110958ac/</link><description>Juan Carlos Guerrero-Hernández</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110958ac/</guid></item><item><title>L’oxymore de la chair / The Oxymoron of the Body</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110959ac/</link><description>Jessica Ragazzini</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110959ac/</guid></item><item><title>Habitus de corps handicapé / Disabled Habitus</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110960ac/</link><description>Emery Vanderburgh</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110960ac/</guid></item><item><title>Caroline Mauxion</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110961ac/</link><description>Lucie Camous</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110961ac/</guid></item><item><title>Rad Hourani</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110962ac/</link><description>Manon Tourigny</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110962ac/</guid></item><item><title>Sharona Franklin</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110963ac/</link><description>Anne-Marie Dubois</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110963ac/</guid></item><item><title>Po B. K. Lomami</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110964ac/</link><description>Abigail E. Celis</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110964ac/</guid></item><item><title>Dans l’atelier de Maggy Hamel-Metsos</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110965ac/</link><description>Hanss Lujan Torres</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110965ac/</guid></item><item><title>Tête à tête with Suzy Lake</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110966ac/</link><description>Daniel Fiset</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110966ac/</guid></item><item><title>Monique Mongeau &amp; Guy Pellerin, Duo</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110967ac/</link><description>Laurier Lacroix</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110967ac/</guid></item><item><title>Kyle Alden Martens, Split Hairs</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110968ac/</link><description>Dominique Sirois-Rouleau</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110968ac/</guid></item><item><title>Wayfinders : au gré des sens</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110969ac/</link><description>Janick Burn</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110969ac/</guid></item><item><title>Béchard Hudon, Monologue de la forêt</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110970ac/</link><description>Julie Alary Lavallée</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110970ac/</guid></item><item><title>Huy Lam &amp; Rod Mireau, Present. Tense.</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110971ac/</link><description>Qing Sheng</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110971ac/</guid></item><item><title>Sinara Rozo-Perdomo, What It Takes To Live</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110972ac/</link><description>Marco Antonio Giovanetti</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110972ac/</guid></item><item><title>Natia Lemay, What the Edge Knows</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110973ac/</link><description>Adam Lauder</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110973ac/</guid></item><item><title>Nairy Baghramian, nameless</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110974ac/</link><description>Gabriela Anco</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110974ac/</guid></item><item><title>Whitney Biennial</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110975ac/</link><description>Tak Pham</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110975ac/</guid></item><item><title>Bukhara Biennial, Recipes for Broken Hearts</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110976ac/</link><description>Alice Xinyi Lin</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110976ac/</guid></item><item><title>Shanghai Biennale, Does the flower hear the bee</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110977ac/</link><description>Tianmo Zhang</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110977ac/</guid></item><item><title>The Agency of Access: Contemporary Disability Art &amp; Institutional Critique</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110978ac/</link><description>Charlotte Jacob-Maguire</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110978ac/</guid></item><item><title>1985. Mondes-images</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110979ac/</link><description>Bernard Lamarche</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110979ac/</guid></item><item><title>The Artist as Ecologist: Contemporary Art and the Environment</title><link>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110980ac/</link><description>Kaysie Hawke</description><guid>http://www.erudit.org/en/journals/esse/2026-n117-esse010857/110980ac/</guid></item></channel></rss>